Lisa Walker

Becky Went Viral

May 14 – June 18, 2022

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Becky Went Viral, 2022, necklace, gold 14k, thread, 22" length

(Inv# 7366)

 

This came from a chat with a colleague who was talking about an artist friend of ours whose work was currently “everywhere” and selling well too. Of course “going viral”  is a recent phenomenon in our social media world, but I’d never heard of an actual person going viral.

Then covid hit and this randomly collected phrase now has another meaning too.

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Hanging Cubes With Thin Plaits and Nicely Embroidered Inner Squares, 2021

pendant, fabric, thread, stuffing, acrylic paint, 18 x 7 x 6.5 ", 28" string length

(Inv# 7388)

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Redhead 2, 2021, pendant, Fabric, stuffing, acrylic paint, thread, 10.5 x 8.5 x 4 ", 28" string

(Inv# 7364)

 

I borrowed from a painting of swarming angelic red headed figures. I can’t find the artist who painted it. By chance I’d just made the red head below this piece. Also by chance I had just seen photographs by Tia Ranginui of patupaiarehe (Maori mythical red headed creatures).

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Driving Creek Pendant 4, 2021, fabric, stuffing, acrylic paint, thread, wood fired ceramic beads (made by the artist)

10 x 10 x 1.75 ", 26" string

(Inv# 7365)

 

I took part in an artist residency at Driving Creek in the Coromandel in New Zealand. Barry Brickell (1935 – 2016) was a New Zealand potter, writer, conservationist and founder of Driving Creek Railway. I made clay beads – borrowing from old existing stamps and moulds in his clay studio. Some of these stamps you could see imprinted in bricks and sculptures around the property, others were made from visiting artists.

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Driving Creek Pendant 8, 2021, thread (embroidered by artist), fabric, acrylic, paint, wood fired ceramic beads

7.5 x 7.6 x 1.2 ", 20" string length

(Inv# 7367)

Lisa Walker, Driving Creek Pendant 6, 2021, wood fired ceramic, thread

7.5 x 7.25 x 1 ", 23" string

(Inv# 7368)

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Vases I Wouldn't Have Painted If I Hadn't Been To Driving Creek, 2022

pendant, layers of fabric made into blocks, acrylic paint, thread, fabric, 11 x 2.75 x 3 ", 31" string

(Inv# 7371)

Lisa Walker, New Zealand contemporary jewelry, Marzee, necklace

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, She Swam Pretty Fast, 2021, necklace, gold 14k, thread, 24" length

(Inv# 7369)

 

Sport, achievement, competition, female, poem, art, not art, fashion, leisure, health, fitness, happiness...

Lisa Walker, Made Just After The Pendant Kicked Off By That Gate By Candice Lin, 2022, brooch, gold 14k, steel pin

2.9 x 2.2 x .3" "

(Inv# 7385)

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Hair and Faces Carefully Threaded Together, 2022, necklace, playmobil, thread, 30" length

(Inv# 7370)

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Driving Creek Necklace 10, 2022, wood fired ceramic beads, thread, 20 x 6 x 1 ", 27" string length

(Inv# 7372)

Lisa Walker, Driving Creek Necklace 11, 2022, wood fired ceramic beads, thread, 13 x 4.5 x .75 ", 23" string length

(Inv# 7373)

Lisa Walker, Move (thanks Kianí del Valle), 2022, pendant, layers of fabric made into a block, acrylic paint, thread

9.4 x 3.75 x .75 ", 28" string length

(Inv# 7374)

 

Chicks On Speed, Pina Bausch, Kianí del Valle – dance as sculpture as jewellery...

Lisa Walker, Driving Creek Pendant 9, 2022, fabric, thread, wood fired ceramic beads, stuffing, 11 x 9.5 x 5.5 ", 32" string length

(Inv# 7378)

Lisa Walker, New Zealand contemporary jewelry, Marzee, necklace

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, A Gate By Candice Lin Kicked This One Off, 2022, pendant, wood, lacquer, thread

8.9 x 4.25 x .6 ", 30.5" string length

(Inv# 7375)

Lisa Walker, Driving Creek Necklace 13, 2022, wood fired ceramic beads, thread, 22" string length

(Inv# 7377)

Lisa Walker, This Triangular Pendulum Shape Is Perfect For Jewellery, 2022, pendant, layers of fabric made into blocks, acrylic paint, thread, 14.5 x 10 x .6 ",  21.5"  string length

(Inv# 7379)

Lisa Walker, Driving Creek Necklace 14, 2022, wood fired ceramic beads, thread, 13 x 5.5 x 1.2 ", 22.5" string length

(Inv# 7380)

Lisa Walker, Driving Creek Necklace 12, 2022, fabric, acrylic paint, wood and raku fired ceramic, beads, thread, 20 x 11.5 x 2 "

(Inv# 7376)

Lisa Walker, New Zealand contemporary jewelry, Marzee, necklace

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, When Embroidering You Use A Round Frame, 2022, pendant, thread, fabric, stuffing, steel compound

11 x 3 x 2.75 ", 31" string length

 

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Lisa Walker, This Triangular Pendulum Shape Is Perfect For Jewellery 2, 2022, pendant, fabric, stuffing, acrylic paint, thread

12 x 8.5 x 6 ", 34" string length

(Inv# 7383)

Lisa Walker, 1,2,3,4,5, ETC, 2022, bracelet, wood, dye, elastic, 2.3 x 2.3 x 1.65 "

(Inv# 7381)

Lisa Walker, A Great Amount Of Plaits That Hang Nicely In Good Colours, 2022, pendant, fabric, thread, steel compound, acrylic paint

4.75 x 9.5 x 3.5 ", 32" string length

(Inv# 7384)

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Becky Went Viral, exhibition view 2022

Lisa Walker, Pendant, 2017, Pounamu (New Zealand Jade), silver, thread, 7.125 x 4.5 x .65 ", 19" string length

(Inv# 7386)

 

I’m intrigued about making pieces out of Pounamu (New Zealand jade). When I choose to do this I’m dealing with a lot of issues - our atrocious Pakeha (New Zealand European) colonisation and maori history, the appropriation art debate, my position as Pakeha, but growing up surrounded by Maori art and culture, going to Maori Poi and Ti Rakau classes as a kid, meeting for the first time the Maori side of my family as a teenager. As an artist I identify as Pakeha and interprete these issues in different ways in my work, I have no answers.

Lisa Walker, Necklace, 2017, Pounamu (New Zealand Jade), silver, thread, 17.25 x 4 x .75 ", 16.5" chain length

(Inv# 7387)

Press Release

"The exhibition title BECKY WENT VIRAL, whose name is shared by one of the few gold necklaces in the show, came from a chat with a colleague who was talking about an artist friend of ours. Their work was “everywhere” and selling well too. Of course “going viral”  is a recent phenomenon in our social media world, but I’d never heard of an actual person going viral. Then covid hit and this randomly collected phrase now has another meaning too."

 

New Zealand artist Lisa Walker constantly challenges the conventions of preciousness in her jewelry.  Found objects, toys, and stuffed fabric forms come together in surprising colors and exaggerated scales through her unconventional process.  And when precious metals are used, they are often assembled in the simplest of manners and strung up humbly with thread.  Walker forgoes the use of gemstones but is keen to pay tribute with by outlining them on painted wood.  Crafts such as sewing, and embroidery are employed boldly ensuring there is no mistake that this is a power move – a feministic 'owning' of crafts traditionally bestowed upon women– as well as a direct challenge to what those traditions state about beauty.  Several pieces in the exhibition employ ceramic elements - or, in the case of the necklace Vases I Wouldn't Have Painted If I Hadn't Been To Driving Creek- the memories of ceramics, from a 2021 residency at the NZ ceramics center Driving Creek.

In speaking about her work, Walker States, “I research the differences between an acceptable notion of beauty or stereotype, and something else – the search for an aesthetic that we hardly ever see, but nevertheless perhaps recognize. I don't want to make pieces that are easily steered through our established channels, I want people to be forced to work on new syllogisms, analogies, and positions. I am continually pushing towards the extreme and see this is a method which enables an expansion in thinking and ways of working.
I use a large range of materials and techniques.
I make reactionary work, consciously active with influences from all walks of culture and life. The pieces are often laced with references to contemporary jewellery of the last forty years, questioning and researching what jewellery means, what it can be.
I position my work around the history, future, and boundaries of jewellery. I make pieces for the future. Everything is food for art”.  LW

 

Lisa Walker was born in 1967 in Wellington, New Zealand,  She studied Craft and Design at Otago Poltechnic Art School in Dunedin from 1988-89.  After travelling for two years around Australia, Great Britain and Asia, establishing small workshops as she went, she returned to New Zealand and founded Workshop 6 with other jewellers in Auckland.  From 1995-2001 she was a student of Otto Künzli at the Akadamie der Bildenden Künste in Munich, Germany.  She established her studio in Munich from 2002-2009, returning to Wellington  in 2009 where she is still currently based.
She has exhibited widely in galleries and museums internationally and has work in many international collections.  She has received numerous awards and prizes including Foerderpreis der Stadt Muenchen in 2007, the Francoise van den Bosch Award in 2009 and the Arts Laureate Award of the New Zealand Arts Foundation in 2015.

 

Becky Went Viral is Lisa Walker's first solo exhibition with Ornamentum.